At its core, my practice explores relationships between women, spoken and unspoken. Truths shared, lessons learned, and collective strength held. A conversation that is literal, metaphorical, spiritual and psychological.

Working primarily in oil, on canvas and wood, I reflect on emotional nuance and what lies beneath the surface of the everyday. My paintings peel back that surface to reveal quiet feminine strength, lived experience, and shared values: tenderness, care, resilience, and solidarity, expressed through community and understated resistance.

The figures I paint exist in a liminal space: between stillness and becoming, care and rebellion. They are vessels of compassion, joy, and vulnerability, operating as projections of the self as seen by others, shaped through both collective and personal memory.

Rooted in an archival mindset with a reverence for drawing, my work seeks a balance between stillness and fluidity. A subtle sense of disquiet often runs through the work, a quiet liberation that offers both an entry and an exit point, for viewer and artist alike.

I paint to feel, and I paint as feeling.

Education includes: MA Painting, Royal College of Art (current); Ruskin School of Art (Complete Drawing, Complete Sculpture); Central Saint Martins (Oil Painting); Wimbledon (MFA); and Turps Painting.